13 Best Sights in Cologne (Köln), The Rhineland

Cologne's landmark embodies one of the purest expressions of the Gothic spirit in Europe. The cathedral, meant to be a tangible expression of God's kingdom on Earth, was conceived with such immense dimensions that construction, begun in 1248, was not completed until 1880, after the original plan was rediscovered. At 515 feet high, the two west towers of the cathedral were briefly the tallest structures in the world when they were finished (before being eclipsed by the Washington Monument). The cathedral was built to house what are believed to be the relics of the Magi, the three kings who paid homage to the infant Jesus (the trade in holy mementos was big business in the Middle Ages—and not always scrupulous). The size of the building was not simply an example of self-aggrandizement on the part of the people of Cologne, however; it was a response to the vast numbers of pilgrims who arrived to see the relics. The ambulatory (the passage that curves around the back of the altar) is unusually large, allowing cathedral authorities to funnel large numbers of visitors up to the crossing (where the nave and transepts meet and where the relics were originally displayed), around the back of the altar, and out again.

Today the relics are kept just behind the altar, in the original, enormous gold-and-silver reliquary. The other great treasure of the cathedral, in the last chapel on the left as you face the altar, is the Gero Cross, a monumental oak crucifix dating from 971. The Altar of the City Patrons (1440), a triptych by Stephan Lochner, Cologne's most famous medieval painter, is to the right. Other highlights are the stained-glass windows, some dating from the 13th century and another, designed by Gerhard Richter with help from a computer program, from the 21st; the 15th-century altarpiece; and the early-14th-century high altar, with its glistening white figures and intricate choir screens. If you're up to it, climb to the top of the bell tower to get the complete vertical experience (at the time of writing, available by guided tour only at  www.domforum.de) but be aware that viewing Cologne from the Dom itself removes the skyline's most interesting feature. The treasury includes the silver shrine of Archbishop Engelbert, who was stabbed to death in 1225.

The square has an eclectic assembly of buildings, most of them postwar. However, two 16th-century houses survived the war intact—Nos. 20 and 22, which are today a Kölsch brewpub, Zum Prinzen. The oldest structure dates from 1135. In late November and December, Alter Markt is the site of one of the city's prettiest Christmas markets.

The Rathaus is worth a look, even from the outside. It's the oldest town hall in Germany, with elements remaining from the 14th century. The famous bell tower rings its bells daily at 9, noon, 3, and 6. Standing on pedestals at one end of the town hall are figures of prophets made in the early 15th century. Ranging along the south wall are nine additional statues, the so-called Nine Good Heroes, carved in 1360.

The triumphs and tragedies of Cologne's rich past are packed into this museum relocated in March 2024 at the site of a former luxury shopping mall. Here you'll find an in-depth chronicle of Cologne's history—including information about the lives of ordinary people and the destruction incurred during World War II. For those who've always wanted to be privy to the inside stories surrounding local words such as Klüngel, Kölsch, and Karneval, the answers are waiting to be discovered within the museum's walls.

This museum is dedicated to art from the beginning of the 20th century to the present day. Its American pop-art collection (including Andy Warhol, Jasper Johns, Robert Rauschenberg, Claes Oldenburg, and Roy Lichtenstein) rivals that of many American museums. It is also home to the third-largest Picasso collection in the world, something one might not expect to find in Cologne.

While this archeological museum is closed for renovations until 2026, a selection of important treasures from its collection of ancient Roman artifacts is on view in the Belgian House, near the Neumarkt Galerie shopping mall. Among them are tombstones and busts from the 1st century, ancient glass vessels decorated with the trademark “Cologne Squiggle,” and everyday objects from Roman life. Placards are in both German and English.

This riverside museum south of the cathedral is a real hit. It recounts 3,000 years of civilization's production and enjoyment of chocolate, from the Central American Maya to the colonizing and industrializing Europeans. It's also a real factory, with lava flows of chocolate and a conveyer belt jostling thousands of truffles. The museum shop, with a huge variety of chocolate items, does a brisk business, and the riverside panorama café serves some of the best cake in town.

The works of Käthe Kollwitz (1867–1945), the most important German female artist of the 20th century, focus on social themes like the plight of the poor and the atrocities of war. This is the larger of the country's two Kollwitz collections and comprises all of her woodcuts, as well as paintings, etchings, lithographs, and sculptures. There are also changing exhibits of other modern artists.

The origins of the official art museum of the Archdiocese of Cologne stretch back to 1853, but the institution received a big boost in 2007, with the opening of a new home atop the ruins of the Gothic parish church of St. Kolumba. Designed by the Swiss architect Peter Zumthor, the new building pays homage to the site's Roman, Gothic, and medieval heritage, while unstuffily presenting a collection of art spanning from late antiquity to the present.

A treasure house of medieval art from the Rhine region, the museum has an ideal setting in a 12th-century basilica. Don't miss the crucifix from the St. Georg Kirche or the original stained-glass windows and carved figures from the Dom. Other exhibits include intricately carved ivory book covers, rock-crystal reliquaries, and illuminated manuscripts.

Cologne's only ethnography museum displays a collection of over 3,500 items that belonged to Wilhelm Joest, a 19th-century German ethnographer and traveler. The permanent exhibition looks at, among other things, the practicality of life in a Native American teepee, explains the importance of tattoos to Maori people, and reveals European perceptions of other cultures in the world as portrayed in travel reports and art. The largest—and perhaps most popular—item in the collection is a 7.5 meter-tall rice granary from the Indonesian island of Sulawesi.

This museum contains paintings spanning the years 1300 to 1900. The Dutch and Flemish schools are particularly well represented, as is the 15th- to 16th-century Cologne school of German painting. Its two most famous artists are the Master of the St. Veronica (whose actual name is unknown) and Stefan Lochner, represented by two luminous works, The Last Judgment and The Madonna in the Rose Bower. Large canvases by Rubens, who spent his youth in Cologne, hang prominently on the second floor. There are also outstanding works by Rembrandt, Van Dyck, and Frans Hals, and the largest collection of French impressionism in Germany.

Of Cologne's four main Christmas markets the Weihnachtsmarkt am Kölner Dom, in the shadow of the city's famed cathedral, is the most impressive. Set against the backdrop of the church's magnificent twin spires, a giant Christmas tree stands proudly in the middle of the market's 160 festively adorned stalls, which sell mulled wine, roasted chestnuts, and many other German yuletide treats.