5 Best Sights in Bath, Bath and the Cotswolds

Dominating Bath's center, this 15th-century edifice of golden, glowing stone has a splendid west front, with carved figures of angels ascending ladders on either side. Notice, too, the miter, olive tree, and crown motif, a play on the name of the building's founder, Bishop Oliver King. More than 50 stained-glass windows fill about 80% of the building's wall space, giving the interior an impression of lightness. The abbey was built in the Perpendicular (English late-Gothic) style on the site of a Saxon abbey, and the nave and side aisles contain superb fan-vaulted ceilings. Look for the expressively carved 21st-century angels on the choir screens. The building's heating comes from the adjacent Roman baths. There are four services on Sunday, including choral evensong at 3 pm. Tower tours (45–60 minutes; Monday through Saturday) allow close-up views of the massive bells and panoramic cityscapes from the roof; the 212 dizzying steps demand a level of fitness.

One of Bath's gems, this elegant 18th-century building and its modern extension house a superb collection of 17th- and 18th-century decorative arts, ceramics, and silverware. Highlights include paintings by Gainsborough (The Byam Family, on indefinite loan) and George Stubbs (Reverend Carter Thelwall and Family), and a hilarious collection of caricatures of the Georgian city's fashionable elite. In its original incarnation as the Sydney Hotel, the house was one of the pivots of Bath's high society, which came to perambulate in the pleasure gardens (Sydney Gardens) that still lie behind it. One visitor was Jane Austen, whose main Bath residence was No. 4 Sydney Place, a brief stroll from the museum. An excellent café and tea garden are on site.

The majestic arc of the Royal Crescent, much used as a film and TV location, is the crowning glory of Palladian architecture in Bath. The work of John Wood the Younger, these 30 houses fronted by 114 columns were laid out between 1767 and 1774. The first house to be built, on the corner of Brock Street and the Royal Crescent, was Number 1 Royal Crescent. (It may be familiar as the exterior of the Featheringtons' residence in the TV series Bridgerton.) The museum crystallizes a view of the English class system in the 18th century—the status, wealth, and elegance of the upstairs in contrast with the extensive servants' quarters and kitchen downstairs. You can witness the predilections of the first resident, Henry Sandford, in the cabinet of curiosities and the electrical machine, as well as a Georgian love of display in the sumptuous dessert table arrangement in the dining room. Several varieties of historic mousetraps make their appearance downstairs. Everything is presented with elegant attention to authenticity and detail.

The hot springs have drawn people here since prehistoric times, so it's quite appropriate to begin an exploration of Bath at this excellent museum on the site of the ancient city's primary "watering hole." Roman patricians would gather to immerse themselves, drink the mineral waters, and socialize. With the departure of the Romans, the baths fell into disuse. When bathing again became fashionable at the end of the 18th century, this magnificent Georgian building was erected.

Almost the entire Roman bath complex was excavated in the 19th century, and the museum displays relics that include a memorable mustachioed, Celtic-influenced Gorgon's head, fragments of colorful curses invoked by the Romans against their neighbors, and information about Roman bathing practices. The Great Bath is now roofless, and the statuary and pillars belong to the 19th century, but much remains from the original complex (the Roman characters strutting around, however, are 21st century) and the steaming, somewhat murky waters are undeniably evocative. Tours take place multiple times a day on the hour (fee), and you can visit after 6:30 pm in July and August to experience the baths lighted by torches. Wear sensible shoes as the ancient stones are uneven and can be slippery. A Learning Centre helps school groups learn about the town's history.

Adjacent to the Roman bath complex is the famed Pump Room, built in 1792–96, a rendezvous for members of 18th- and 19th-century Bath society. Here Catherine Morland and Mrs. Allen "paraded up and down for an hour, looking at everybody and speaking to no one," to quote from Jane Austen's Northanger Abbey. Today you can take in the elegant space—or you can simply, for a small fee, taste the fairly vile mineral water. Charles Dickens described it as tasting like warm flatirons.

One of the few places in Britain where you can bathe in natural hot-spring water, and in an open-air rooftop location as well, this striking complex designed by Nicholas Grimshaw consists of a Bath-stone building surrounded by a glass curtain wall. The only difficulty is in deciding where to spend more time during your two-hour spa session—in the sleekly luxurious, light-filled Minerva Bath, with its curves and gentle currents, or in the smaller, open-air rooftop pool for the unique sensation of bathing with views of Bath's operatic skyline (twilight is particularly atmospheric here). Two 18th-century thermal baths, the Cross Bath and the Hot Bath, are in use, too (the latter for spa treatments only). End your session in the third-floor café and restaurant.

It's essential to book spa treatments ahead of time (additional fee; 50-minute massage from £125, for example). Towels, robes, and slippers are available for rent. Note that changing rooms are gender-neutral. Weekdays are the quietest time to visit. You must be 16 to bathe here and 18 to book a spa treatment.