2 Best Sights in Dresden, Saxony, Saxony-Anhalt and Thuringia

This masterpiece of Baroque church architecture was completed in 1743. The huge dome set on a smaller square base, known as the Stone Bell, was the inspiration of George Bähr, who designed the church to be built "as if it was a single stone from the base to the top." On February 15, 1945, two days after the bombing of Dresden, the burned-out shell of the magnificent Stone Bell collapsed. For the following five decades, the remains of the church, a pile of rubble, remained a gripping memorial to the horrors of war. In a move shocking to the East German authorities, who organized all public demonstrations, a group of young people spontaneously met here on February 13, 1982, for a candlelight vigil for peace.

Although the will to rebuild the church was strong, the political and economic situation in the GDR prevented it. It wasn't until German unification that Dresden seriously began to consider reconstruction. In the early 1990s a citizens' initiative, joined by the Lutheran Church of Saxony and the city of Dresden, decided to rebuild the church using the original stone. The goal of completing the church by 2006, Dresden's 800th anniversary, seemed insurmountable. Money soon started pouring in from around the globe, however, and work began. The rubble was cleared away, and the size and shape of each stone were cataloged. Computer-imaging technology helped place each recovered stone in its original location.

During construction, guided tours and Frauenkirche concerts brought in donations. The biggest supporter of the project in the United Kingdom, the Dresden Trust, is centered in the city of Coventry, itself bombed mercilessly by the German Luftwaffe during the war. The Dresden Trust raised more than €600,000 and donated the gold pinnacle cross that now graces the church dome.

On Sunday, October 30, 2005 (almost a year ahead of schedule), Dresden's skyline became a little more complete with the consecration of the Frauenkirche. Leading the service was the bishop of Coventry. Although the church is usually open to all, it closes frequently for concerts and other events. There is usually a short organ service at noon every day. Check the English-language schedule next to Entrance D.

Dresden's magnificent Baroque showpiece is entered by way of the mighty Kronentor (Crown Gate), underneath the crown of Poland, off Ostra-Allee. It contains three different museums.

Augustus the Strong hired a small army of artists and artisans to create a "pleasure ground" worthy of the Saxon court on the site of the former bailey, part of the city fortifications. The artisans worked under the direction of the architect Matthäus Daniel Pöppelmann, who came reluctantly out of retirement to design what would be his greatest work, begun in 1707 and completed in 1728. Completely enclosing a central courtyard filled with lawns, pools, and fountains, the complex is made up of six linked pavilions, one of which boasts a carillon of Meissen bells, hence its name: Glockenspielpavillon.

The Zwinger is quite a scene—a riot of garlands, nymphs, and other elaborate ornamentation and sculpture. Wide staircases beckon to galleried walks and to the romantic Nymphenbad, a coyly hidden courtyard where statues of nude women perch in alcoves to protect themselves from a fountain that spits unexpectedly. Stand in the center of this quiet oasis, where the city's roar is kept at bay by the outer wings of the structure. Normal people were allowed onto the balcony and could watch all of the raucous festivities

The Gemäldegalerie Alte Meister, in the northwestern corner of the complex, was built to house portions of the royal art collections. Among the priceless paintings are works by Dürer, Holbein, Jan Van Eyck, Rembrandt, Rubens, van Dyck, Hals, Vermeer, Raphael, Titian, Giorgione, Veronese, Velázquez, Murillo, Canaletto, and Watteau. On the wall of the entrance archway you'll see an inscription in Russian, one of the few amusing reminders of World War II in Dresden. It rhymes in Russian: "Museum checked. No mines. Chanutin did the checking." Chanutin, presumably, was the Russian soldier responsible for checking one of Germany's greatest art galleries for anything more explosive than a Rubens nude. The highlight of the collection is Raphael's Sistine Madonna, whose mournful look is slightly less famous than the two cherubs who were added by Raphael after the painting was completed, in order to fill an empty space at the bottom.

Stretching from the curved gallery that adjoins the Glockenspielpavillon to the long gallery on the east side, this collection of the Porzellansammlung is considered one of the best of its kind in the world. The focus, naturally, is on Dresden and Meissen china, but there are also outstanding examples of Japanese, Chinese, and Korean porcelain.

Holding medieval and Renaissance suits of armor and weapons, the Rüstkammer also has a branch in the Residenzschloss.