17 Best Sights in The Tyrrhenian Coast, Sicily

This imposing 1337 Norman tower is attached to the facade of Gangi's "Mother Church," the Chiesa di Saint Niccolò of Bari, with a square bell tower built upon three levels and arabesque arched windows. It was part of the feudal kingdom of the Ventimiglia family, who left marks of their wealth and dominance all over the island. After an extensive renovation, it now houses a permanent exhibition of local artists and Christmas nativity models. The church itself is filled with artwork from the 17th and 18th centuries, including eye-catching sculptures by Filippo Quattrocchi (1738--1813). Descend into the crypt and the macabre catacombs to meet the mummies of 60 priests from Gangi.

Polizzi is full of churches, each one filled to the brim with fascinating artworks, but this one is probably the most gorgeous of all. Its Norman-era foundations have been built upon several times since, including Gothic-era additions by the Ventimiglia dynasty. The centerpiece is an astonishing Renaissance triptych of the Madonna and Child (late 1400s)  by an anonymous, though possibly Flemish, artist. It's sometimes attributed to (though more likely influenced by) the celebrated Flemish painter Rogier Van Der Weyden (1399--1464). As astonishing as it is to see this priceless work of art from northern Europe housed in a church in Polizzi Generosa, its presence gives you a sense of how much wealth was brought to the town thanks to its royal patrons.

Cefalù is dominated by a massive headland—la rocca—and a 12th-century Romanesque Duomo, which is one of the finest Norman cathedrals in Italy. Roger II began the church in 1131 as an offering of thanks for having been saved here from a shipwreck. Its mosaics rival those of Monreale. (Whereas Monreale's Byzantine Christ figure is an austere and powerful image, emphasizing Christ's divinity, the Cefalù Christ is softer, more compassionate, and more human.) At the Duomo you must be respectfully attired—no shorts or beachwear permitted. Three themed tours explore the Duomo complex, taking in the museum, cloisters, roof, and towers (from €10).

A very old place of worship, the Santuario di Tindari has been an important place for religious pilgrims since the Middle Ages, after a mysterious statue of the dark-skinned Madonna was retrieved from a nearby beached ship and claimed to be a miraculous image by locals. Today Tindari is still popular with religious visitors and the clergy in general; Pope John Paul II even visited to perform mass in the 1980s. The stunning modern cathedral has been built around the original tiny medieval church, and you can access the old church from a side gate near the front altar. The newer church is filled with mosaic art, stained-glass windows, an impressive church organ, and an elaborate building that still houses the famed Madonna statue.

Located high up in the mountains, Tindari has lovely views along the coast in both directions. Along a side road from the church, past a collection of tourist shops, you will find the archaeological area that includes an ancient Roman theater and several ruins of bathhouses and villas that once accommodated Roman visitors. The small museum here houses five rooms filled with fascinating finds from the site, including a massive sculpture of Emperor Augustus's head excavated in the basilica ruins. 

Below the Church of Tindari, there are also the natural lakes of Marinello and the pristine Spiaggia Mongiove, which are popular places for local beachgoers to explore. Even though the beaches are devoid of facilities, the spot is secluded and quite stunning.

The second-largest church in Caccamo, the Chiesa dell'Annunziata holds just as much precious artwork as the main cathedral and dates back to the 1700s. The frescoes in the presbytery are by Gianbecchina, while stunning stucco wall decorations are by the famous Sicilian master Giacomo Serpotta and the front altar's design of the Annunciation is by the Flemish, largely Naples-based artist Guglielmo Borremans.

Located right in front of the main square at the heart of Caccamo, the patched-up but picturesque Chiesa dell'Oratorio is one in a series of splendid Baroque monuments in the center of the city. Together with the Chiesa dell'Oratorio, the palace of Monte di Pietà, and the church of the Anime Sante del Purgatorio, it makes up the historic heart of the city's art and culture. The square is used as a majestic open-air stage for events and concerts, and what better backdrop than these splendid examples of Sicilian Baroque architecture.

Yet another beautiful historic church in Castelbuono that is well worth visiting, even for only a moment, Chiesa della Natività di Maria---also known as Madrice Nuova---was constructed in the years straddling the 16th and 17th centuries and rebuilt in the 1830s after substantial earthquake damage. It is characterized by typical Sicilian limestone stonework and an elegant bell tower. Inside it is filled with various reliquaries, gorgeous intarsia work, pious pieces of art, statuary by Filippo Quattroochi (1738--1813), and two 18th-century organs.  

As is usually the case in Sicily, this church is one of the best places in town to see some incredible art. The Chiesa di San Benedetto is decorated with an elaborate and remarkably well-preserved majolica ceramic floor designed and crafted by 18th-century Palermo artist Nicolò Sarana. The decorative gold-highlighted stucco wall decorations make the church glow in the sunlight.

This impressive deconsecrated 17th-century church occupies an entire block of the main street in the medieval quarter and sits beside the Collegio dei Gesuiti, which now houses the Biblioteca Comunale, the town's library, and its civic collections. These include the Civico Museo Archeologico, an archaeological museum with exhibits telling the history and significance of the Abete delle Madonie, an endangered fir tree species; and the Museo del Giocattolo Antico, with poignant displays of antique toys. The church itself is in the standard Greek cross structure. It is filled with marble vaults that host the statues of various saints and is decorated with floral embellishments typical of the extravagant Sicilian Baroque style. Government funding was secured in 2023 to begin extensive restoration of the building. 

Like most small towns in Sicily, Mistretta's best artwork can be found in its local churches, and the town's "Mother Church" has an array of treasures passed down through the centuries. Its facade is made from the characteristic golden limestone of Sicily with elegant Romanesque arches and columns. Inside, everything from the floor to the decorative altar is made of precious marble, which comes from the nearby town of San Marco D'Alunzio, which has supplied marble for churches all over Messina province since the Middle Ages. The rose-colored pink marble in particular was quite rare and the most expensive and luxurious decoration used in churches to show off a town's prosperity.

In the Middle Ages, Petralia Sottana was under the dominion of the Ventimiglia family, whose immense wealth left behind many stunning public works and buildings in the town. The concentration of this architecture is focused in and around the central square of Piazza Umberto I, which is dominated by this 16th-century parish church, an impressive cathedral dedicated to the Madonna of the Assumption. The interior is filled with sculptures from the 14th, 15th, and 16th centuries, including details from Antonello Gangini, a famed Sicilian sculptor who decorated many important churches with his artwork.

On the town's Piazza Duomo, you'll find the parish church of the apostles St. Peter and St. Paul. The church's dominating structure is in the Catalonian Gothic style, with 12 elaborate columns representing the apostles and two bell towers, one Norman and one from the 18th century. The interior is relatively simple, with notable works including an intricately carved, life-size wooden crucifix by local monk Frate Umile da Petralia (1600--1639) and and the Madonie's largest organ, which dates from 1780. Petralia Soprana's most venerated pious objects, the multicolored wooden statues of the apostles Pietro and Paolo (1767) are paraded through the streets on the saint's feast day, June 29.

Castelbuono's main cathedral, located on the central square of Piazza Margherita, was originally established in 1362; the current church is an elegant Romanesque structure dating to the 16th century that is filled with religious art and paintings. The Gothic Catalan bell tower reflects a similar Andalusian style to Palermo's Duomo and is a prominent feature of the town's landscape. A painted altarpiece, with intricate wooden carved details and portraits of various saints, dominates the church interior. The images on the polyptych are from the 1500s, created by Antonio di Saliba, the nephew of the famous early Renaissance Sicilian master Antonello da Messina.

The main Norman cathedral of Caccamo, the original church was built in the 1400s by the Chiaramonte family and filled with artwork from many Sicilian Renaissance masters. The building was expanded and rebuilt in the 1600s in the elaborate Sicilian Baroque style and still houses all the paintings from the previous structure and other artwork from abandoned or destroyed churches in the area.

Termini's main cathedral is dedicated to St. Nicholas and, like most Sicilian churches, is filled with precious artwork. The interior chapel and altar are from the 17th century and are decorated with precious inlaid colored marble, while the facade was remodeled in the early 20th century with the addition of four saintly statues and three colonnaded doors. The Duomo also has an on-site museum of sacred art, filled with silverwork, vestments, religious relics, and liturgical objects of great value.

The exterior of this church may seem a bit run-down, but take a step to see the intricate details and explosions of excessive ornamentation. The old monastery dates back to 1450 and is a testament to the wealth derived from the lands and agricultural wealth of Polizzi Generosa. The church is filled with elaborate stonework and intriguing canvases, most strikingly San Benedetto in trono fra i Santi Mauro e Placido by Giuseppe Salerno (1573--1633). Of particular note is the exquisite floral ironwork in the upper choir, a 15th-century statue of Santa Margherita replete with dragon's tail by Domenico Gagini, and a well-preserved and vibrant majolica tile floor.

This church is located high above town, reachable by walking up the zigzagging road along the Strada Provinciale 147, or the signposted path at Via Libertá 87, by the candy store. Once you get up the steep hill (and it will be a bit of a workout), you can admire the breathtaking views along the coast; you can even see the peak of the Madonie above Palermo in the distance. The church itself houses the statue of the town's patron saint, the Madonna Maria Santissima, taken in a procession around the streets as part of feast day celebrations in October.