48 Best Sights in Sicily, Italy

In the Middle Ages, Petralia Sottana was under the dominion of the Ventimiglia family, whose immense wealth left behind many stunning public works and buildings in the town. The concentration of this architecture is focused in and around the central square of Piazza Umberto I, which is dominated by this 16th-century parish church, an impressive cathedral dedicated to the Madonna of the Assumption. The interior is filled with sculptures from the 14th, 15th, and 16th centuries, including details from Antonello Gangini, a famed Sicilian sculptor who decorated many important churches with his artwork.

On the town's Piazza Duomo, you'll find the parish church of the apostles St. Peter and St. Paul. The church's dominating structure is in the Catalonian Gothic style, with 12 elaborate columns representing the apostles and two bell towers, one Norman and one from the 18th century. The interior is relatively simple, with notable works including an intricately carved, life-size wooden crucifix by local monk Frate Umile da Petralia (1600--1639) and and the Madonie's largest organ, which dates from 1780. Petralia Soprana's most venerated pious objects, the multicolored wooden statues of the apostles Pietro and Paolo (1767) are paraded through the streets on the saint's feast day, June 29.

Castelbuono's main cathedral, located on the central square of Piazza Margherita, was originally established in 1362; the current church is an elegant Romanesque structure dating to the 16th century that is filled with religious art and paintings. The Gothic Catalan bell tower reflects a similar Andalusian style to Palermo's Duomo and is a prominent feature of the town's landscape. A painted altarpiece, with intricate wooden carved details and portraits of various saints, dominates the church interior. The images on the polyptych are from the 1500s, created by Antonio di Saliba, the nephew of the famous early Renaissance Sicilian master Antonello da Messina.

Opposite the Museo del Satiro Danzante, the exuberant Baroque Jesuit College, with its portal framed by hefty male caryatids, was once the center of the Catholic Inquisition in town during the 18th century, charged with rooting out and punishing anything they deemed to be heresy. In 1824, the Jesuits clashed with Sicily’s Bourbon rulers and were kicked out (probably missed by a few). Now, the space is undergoing renovations, and visitors can explore small exhibitions of artworks from the municipal archives. The damaged church of Sant’Ignazio next door is sometimes open; it's an evocative elliptical space, framed by red-gold sandstone and marble columns, and open to the sky. It is occasionally used for open-air concerts and exhibitions.

With its cupola and twin turrets, Acireale's cathedral is an extravagant Baroque construction dating from the 17th century. Look out for the 19th-century, horizontal sundial on the floor of the transept which incorporates the signs of the zodiac, and in the chapel to the right of the altar, the 17th-century silver statue of Santa Venera (patron saint of Acireale) by Mario D'Angelo. Climb up to the belvedere for stunning views.

Designed by Rosario Gagliardi in 1738 (and completed in 1791), Ragusa's main cathedral, a fine example of the Sicilian Baroque, was further modified in the 19th century with the addition of a Neoclassical cupola. The flamboyant convex facade with bell tower rises 203 feet, looking like a wedding cake from the sloping piazza below to provide sightlines for the 141-foot dome. Although visitors enter via side entrances, the ornate portal frames wooden doors that are decorated with six episodes in the martyrdom of San Giorgio, all carved by Fiorello (1793). The three-nave interior is more subdued in comparison and contains numerous paintings and statuary by mostly 18th-century Sicilian artists, as well as an impressive 3,383-pipe Organum Maximum made in Bergamo in 1881; that alone is well worth hearing and a reason to visit. But you may wish to linger to take in the artworks and sunlight-bathed atmosphere from 20 vibrant, stained-glass windows, each detailing more saintly scenes and allegories.

The main Norman cathedral of Caccamo, the original church was built in the 1400s by the Chiaramonte family and filled with artwork from many Sicilian Renaissance masters. The building was expanded and rebuilt in the 1600s in the elaborate Sicilian Baroque style and still houses all the paintings from the previous structure and other artwork from abandoned or destroyed churches in the area.

Termini's main cathedral is dedicated to St. Nicholas and, like most Sicilian churches, is filled with precious artwork. The interior chapel and altar are from the 17th century and are decorated with precious inlaid colored marble, while the facade was remodeled in the early 20th century with the addition of four saintly statues and three colonnaded doors. The Duomo also has an on-site museum of sacred art, filled with silverwork, vestments, religious relics, and liturgical objects of great value.

Statues of the apostles line the staircase of Modica's honey-colored stone cathedral, which was originally constructed in the 14th century, then rebuilt in an impressive Baroque style following its destruction in the 1693 earthquake. Look down to marvel at the ornate intarsia stone tiling and above at the vaulted ceiling frescoes (1760-80) depicting Biblical scenes by local artist Gian Battista Ragazzi and his son Stefano. Flanked by an impressive wooden choir the main altar has a vibrant marble statue Madonna del Soccorso (also called Madonna della Mazza), which dates from 1507. This curious image of Mary, who is wielding a club to smash a Satanic figure while cradling the baby Jesus, has its origins in the legend of 14th-century Nicola La Bruna from Palermo, whose vision of Mary is said to have cured a grave illnes. On a political note, there was a long and bitter dispute with lofty rival San Giorgio (Modica's other cathedral) regarding which church was rightfully Modica's "Chiesa Madre" (Mother Church); thankfully, they now share that status more amicably. If you're a glutton for churches, consult www.laviadellecollegiate.it for information and itineraries that cover Modica's plethora of places of worship.

The exterior of this church may seem a bit run-down, but take a step to see the intricate details and explosions of excessive ornamentation. The old monastery dates back to 1450 and is a testament to the wealth derived from the lands and agricultural wealth of Polizzi Generosa. The church is filled with elaborate stonework and intriguing canvases, most strikingly San Benedetto in trono fra i Santi Mauro e Placido by Giuseppe Salerno (1573--1633). Of particular note is the exquisite floral ironwork in the upper choir, a 15th-century statue of Santa Margherita replete with dragon's tail by Domenico Gagini, and a well-preserved and vibrant majolica tile floor.

Despite its grand facade and airy interior, the church of San Domenico itself holds little interest for anyone who isn’t excited by the tombs of Sicilian notables, but the eponymous oratory, located behind the church, constitutes one of Palermo’s great unsung treasures. The private chapel is generously adorned with sumptuous, creamy white stuccos, exquisitely crafted by Giacomo Serpotta (1656­­–1732) and depicting figures representing Patience, Obedience, Humility, Liberty, Justice, and more. Unusually, these allegorical figures take the form of elegant society ladies—something which would never have been possible in a public place of worship like a church. A QR code shown at the ticket office will allow you to download an app that provides background information on what you're looking at, such as the numerous symbols incorporated into each of the sculptures, including the gold-colored lizard on Fortitude’s column, a puny reference to the artist himself, whose name resembles the Sicilian dialect word for “lizard.” Around the allegorical figures cavort a host of playful putti (cherubs), some of them playing musical instruments, while the 1628 painting above the altarpiece, Madonna and Saints, is the work of Anthony van Dyck.

Hidden behind high walls and accessed through a courtyard, the oratory—or private chapel—of Saint Cita boasts one of the finest collections of the graceful white stuccos for which their creator, Giacomo Serpotta (1656–1732), is famous. The centerpiece is an amazingly elaborate rendering of the Battle of Lepanto, at which the Ottoman Turkish fleet was defeated by combined Christian forces in 1571. The walls are inset with a series of Biblical scenes from the life of Jesus. To leaven the solemnity of such scenes, however, Serpotta has introduced some of his most fetching portrayals of the ordinary people of Palermo, from street urchins to wizened old men and sophisticated ladies, while an army of mischievous putti (cherubs) interweaves among them. Fans of Serpotta can find more of his works in the Oratorio di San Lorenzo in nearby Via Immacolatella.

Just inside Porta Trapani, the western entrance that most people use to access Erice, the first sight that confronts visitors to the town is the dramatic ensemble of the Real Duomo, Erice's main church, and its detached bell tower, the Torre di Re Fernando. Both are battlemented and retain a formidable Gothic appearance. The church, dating from around 1314, contains traces of a fresco of an angel dating from its original construction, visible in the sanctuary on the left-hand side of the nave. The bell tower was orignally built by the Aragonese as a lookout tower in the late 13th century, and its 108 steps can be climbed for splendid bird's-eye views.

Three striking Saracenic pink domes mark this church, built in 1154 during the Norman occupation of Palermo. The church now belongs to the Knights of the Holy Sepulchre and has a spare but intense stone interior.

Distinguished by its five reddish-orange domes and stripped-clean stone interior, this 12th-century church was built by the Normans on the site of an earlier mosque—one of 200 that once stood in Palermo. The emirs ruled Palermo for nearly two centuries and brought to it their passion for lush gardens and fountains. One is reminded of this while sitting in San Giovanni's delightful cloister of twin half columns, surrounded by palm trees, jasmine, oleander, and citrus trees.

Dedicated to Thomas à Becket, the English saint famously martyred after provoking the fury of Henry II, Marsala's imposing Duomo is located in the heart of the old town, dominating a stately piazza that is also flanked by the 18th-century town hall. The church's grand Baroque facade is matched by its spacious and airy interior. A painting behind the altar depicts the murder of St. Thomas, while chapels on either side of the nave contain much work by Sicily's prolific Gagini family of sculptors.

The walls of this splendid Baroque church (1596) in Piazza Bellini are covered with extremely impressive decorative 17th-century inlays of precious marble. There are marvelous views from the terrace, and a bakery selling delicacies made using the nuns' recipes.

This church is located high above town, reachable by walking up the zigzagging road along the Strada Provinciale 147, or the signposted path at Via Libertá 87, by the candy store. Once you get up the steep hill (and it will be a bit of a workout), you can admire the breathtaking views along the coast; you can even see the peak of the Madonie above Palermo in the distance. The church itself houses the statue of the town's patron saint, the Madonna Maria Santissima, taken in a procession around the streets as part of feast day celebrations in October.