31 Best Sights in Rio de Janeiro, Brazil

What was once the headquarters of Brazil's oldest bank is now an enormous cultural space in downtown Rio. With areas designated for cinema screenings, expositions, music, educational programs, and theater, this is one of the city's best rainy-day options. The 19th-century building, with its ornate domed roof, is impressive in itself, and the visiting exhibitions—which might showcase anything from impressionist masterpieces to the works of São Paulo street artists—rarely disappoint. There are two coffee shops, a restaurant and an arts shop in the building. There is also a children's library on the top floor, and many free activities for all ages. 

Pre-booked tickets have priority on exhibition entrance. You can book for free at  ingressos.ccbb.com.br/cidades

Rio's iconic Cristo Redentor (Christ the Redeemer) statue stands arms outstretched atop 690-meter-high (2,300-foot-high) Corcovado mountain. It wasn't until 1921, the centennial of Brazil's independence from Portugal, that someone had the idea of placing a statue atop Corcovado. A team of French artisans headed by sculptor Paul Landowski was assigned the task of erecting a statue of Christ with his arms apart as if embracing the city. (Nowadays, mischievous Cariocas say Christ is getting ready to clap for his favorite escola de samba.) It took 10 years, but on October 12, 1931, Christ the Redeemer was inaugurated by then-president Getúlio Vargas, Brazil's FDR. The sleek, modern figure rises more than 30 meters (100 feet) from a 6-meter (20-foot) pedestal and weighs 700 tons. In the evening a powerful lighting system transforms it into an even more dramatic icon. Access to Rio's most iconic monument is via the Corcovado Mountain.

The 340-acre (0.5 sq miles) Botanical Garden contains more than 5,000 species of tropical and subtropical plants and trees, including 900 varieties of palms (some more than a century old) and more than 140 species of birds. The shady garden, created in 1808 by the Portuguese king João VI during his exile in Brazil, offers respite from Rio's sticky heat. In 1842 the garden gained its most impressive adornment, the Avenue of the Royal Palms, a 720-meter (800-yard) double row of 134 soaring royal palms. Elsewhere, the Casa dos Pilões, an old gunpowder factory, has been restored and displays objects pertaining to the nobility and their slaves. Also on the grounds are a museum dedicated to environmental concerns, a library, two small cafés, and a gift shop.

Now seating 78,838 fans after a major makeover in anticipation of the 2014 World Cup, the stadium hosted key matches during the 2016 Rio Olympics, and big local games are also held here during the seemingly never-ending Brazilian soccer season. The stadium is officially called Estádio Mário Filho, after a famous journalist, but it's best known as Maracanã, the name of the surrounding neighborhood and a nearby river. Guided and nonguided stadium tours can be booked on the official website; on match days the last tour begins three hours before gates open.

Check local press outlets for match times.

Once the villa of a German baron, this elegant, 19th-century granite-and-marble palace became the presidential residence after the 1889 coup overthrew the monarchy and established the Republic of Brazil. Eighteen presidents lived here. Gaze at the palace's gleaming parquet floors and intricate bas-relief ceilings as you wander through its Museu da República (Museum of the Republic). The permanent exhibits include a shroud-draped view of the bedroom where President Getúlio Vargas committed suicide in 1954 after the military threatened to overthrow his government. Presidential memorabilia, furniture, and paintings that date from the proclamation of the republic to the end of Brazil's military regime in 1985 are also displayed. The palace gardens are free, and worth a visit in themselves. With their imperial palm trees, water features, chattering monkeys, and strolling geese they are among the most pleasant—and safest, thanks to patrolling guards—parks in the city, and there's a well-equipped children's playground at the far end.

The indigenous Tupi people originally called the soaring 396-meter (1,300-foot) granite block at the mouth of Baía de Guanabara pau-nh-acugua (high, pointed peak). To the Portuguese the phrase seemed similar to pão de açúcar, itself fitting because the rock's shape reminded them of the conical loaves in which refined sugar were sold. Italian-made bubble cars holding 75 passengers each move up the mountain in two stages. The first stop is at Morro da Urca, a smaller, 212-meter (705-foot) mountain; the second is at the summit of Pão de Açúcar. The trip to each level takes three minutes. In high season long lines form for the cable car; the rest of the year the wait is seldom more than 30 minutes. Consider visiting Pão de Açúcar before climbing the considerably higher Corcovado---as breathtaking as the view is, it may seem anticlimactic if experienced second. There are special deals to have breakfast and see the sunrise at the mountain. On the Friday and Saturday sunsets, there is a DJ playing to keep the vibe chilling.

This lush green space down the road from Jardim Botânico was acquired by Antônio Martins Lage Jr., whose grandson, Henrique Lage, fell head over heels in love with the Italian singer Gabriela Bezanzoni. The magnificent palace he had constructed for her was completed in 1922; the impressive mansion and grounds were turned into a public park in 1960. A visual arts school and a café occupy the mansion. On the grounds are small aquariums and a few caves that have stalactites and stalagmites. If you want to tackle Corcovado on foot to make your pilgrimage to see Christ the Redeemer, start in Parque Lage. Trails are clearly marked, but you shouldn't go alone.

A bit beyond Prainha, off Estrada de Guaratiba, is Grumari, a beach that seems a preview of paradise. What it lacks in amenities—it has only a couple of groupings of thatch-roof huts selling drinks and snacks—it makes up for in natural beauty: the glorious red sands of its quiet cove are backed by low, lush hills. Weekends are extremely crowded—arrive early—but during the week it's blissfully quiet and makes for a great day out from town. Take a lunch break at Restaurante Point de Grumari, which serves excellent fish dishes. If you've ventured this far, you might as well take a slight detour to the Museu Casa do Pontal, Brazil's largest folk art museum, and, for an in-depth look at one of the world's greatest landscape artists, the Sítio Roberto Burle Marx. Amenities: food and drink. Best for: surfing; sunset.

As you stroll this world-famous beach you'll encounter a cross section of the city's residents, each favoring a particular stretch. Families predominate in the area near Posto (Post) 10, for instance, and the gay community clusters near Posto 8 by a giant rainbow flag. Throughout the day you'll see groups playing beach volleyball and soccer, and if you're lucky you might even come across the Brazilian Olympic volleyball team practicing here. At kiosks along the boardwalk, you can sample all sorts of food and drink, from the typical coconut water to fried shrimp and sushi. Amenities: food and drink; lifeguards; showers; toilets. Best for: walking; sunset.

Nature lovers and architecture buffs will find it worth making the advance booking required to visit this plantation-turned-museum honoring Roberto Burle Marx, Brazil's legendary landscape architect. Marx, the mind behind Rio's swirling mosaic beachfront walkways and the Aterro do Flamengo, was said to have "painted with plants," and he was the first designer to use Brazilian flora in his projects. More than 3,500 species—including some discovered by and named for Marx, as well as many on the endangered list—flourish at this 100-acre estate. Marx grouped his plants not only according to their soil and light needs but also according to their shape and texture. He also liked to mix the modern with the traditional—a recurring theme throughout the property. The results are both whimsical and elegant. In 1985 he bequeathed the farm to the Brazilian government, though he remained here until his death in 1994. His house is now a cultural center full of his belongings, including collections of folk art, and the beautiful gardens are a tribute to his talents. The grounds also contain his ultramodern studio (he was a painter, too) and a small, restored colonial chapel dedicated to St. Anthony.

For children and others with an interest in seeing birds and beasts up close, Rio's city zoo makes for a fun day out. Colorful native birds and a variety of South American monkeys are among the attractions; the "nursery" for baby animals and the reptile house are always popular with younger visitors. The zoo has received criticism for the somewhat small enclosures the larger animals—including lions and bears—endure, but conditions have improved in recent years, and an extensive refurbishment program was completed to improve facilities for animals and visitors alike, turning it into a biopark. 

The area became known as Olympic Boulevard, due to the events it hosted during the 2016 Olympic games in Rio de Janeiro. Officially, it brings together Porto Maravilha (with the Warehouses and Praça Mauá) and Orla Conde (from Praça Mauá to Praça XV). The boulevard hosts restaurants, exhibition halls, a boarding hall for cruise ships, and museums. One of the highlights is the boldly colored panel Etinias, by Brazilian artist Kobra. 

Surrounding Corcovado is the dense, tropical Tijuca Forest, also known as the Parque Nacional da Tijuca. Once part of a Brazilian nobleman's estate, it's studded with exotic trees and thick jungle vines and has several waterfalls, including the delightful Cascatinha de Taunay (Taunay Waterfall). About 180 meters (200 yards) beyond the waterfall is the small pink-and-purple Capela Mayrink (Mayrink Chapel) with painted panels by the 20th-century Brazilian artist Cândido Portinari.

The views are breathtaking from several points along this national park's 96 km (60 miles) of narrow winding roads. Some of the most spectacular are from Dona Marta, on the way up Corcovado; the Emperor's Table, supposedly where Brazil's last emperor, Pedro II, took his court for picnics; and, farther down the road, the Chinese View, the area where Portuguese king João VI allegedly settled the first Chinese immigrants to Brazil, who came in the early 19th century to develop tea plantations. A great way to see the forest is by Jeep or van. You can arrange tours through several agencies, among them Brazil Expedition ( www.brazilexpedition.com) and Jeep Tour ( 21/2108--5800  www.jeeptour.com.br).

Copacabana Fort was built in 1914 as part of Rio's first line of defense, and many original features, such as the thick brick fortification and old Krupp cannons, are still visible. In the '60s and '70s, during Brazil's military dictatorship, political prisoners were kept here. The fort is impressive and the entrance archway perfectly frames a postcard view of Sugarloaf. The best views, however, follow the path to its end and climb the steep stairs to the cannon roof, which juts right out into the ocean and takes in sweeping vistas over the Zona Sul beaches. The on-site military history museum is worth a stop, and there are two good cafés here as well as a gift shop. During the Brazilian summer, violin recitals, classical music performances, and outdoor cinema screenings are held here, many free of charge.

Rio's planetarium is a great escape if your vacation gets rained on, or if you simply have a passion for astronomy. The adjoining interactive Museu do Universo (Museum of the Universe) illustrates the history of space exploration and travel in a futuristic exhibition area with lots of hands-on activities for kids. The planetarium frequently updates its programming, which consists of a mixture of fictitious adventures in space (recommended for kids) and nonfiction shows about the constellations and our solar system.

This slick, ultramodern exhibition space once housed Rio's Telecommunications Museum. The museum itself delivers a unique multimedia adventure—lots of monitors, blinking lights, and media artifacts. After you've been oriented in the use of the MP3 headsets, a light- and mirror-filled air-lock-like room awaits. The sights in this tiny exhibit space will likely mesmerize you, and if you don't speak Portuguese, the English guide will explain what you can't figure out from the visual cues. The building has two different spaces: one focused on the transformation of communications over the years and how this affects our lives, and the other focused on the relationship between technology and arts.

Steps away from Botafogo metro station is a museum in the former home of the 19th-century Brazilian statesman, writer, and scholar Rui Barbosa, a liberal from Bahia State who drafted one of Brazil's early constitutions. The pink mansion, which dates from 1849, is itself worth a visit. Stepping inside instantly transports you to the period when writers and other intellectuals inhabited this street's grand houses. Among the memorabilia and artifacts on display are Barbosa's 1913 car and legal, political, and journalistic works. The extensive libraries are testament to Rui Barbosa's love for literature. The well-tended gardens stretch for 9,000 meters (29,527 feet) and are filled with small pools and fountains, making them a pleasant place to take respite from the rush and crush of the city. There's a good children's library, regular kids' workshops and events, and free live music performances.

Brazil's largest folk art museum now has a new address, closer to Barra da Tijuca and easier to reach. One room houses a wonderful mechanical sculpture that represents all of the escolas de samba (samba schools) that march in the Carnival parades. Another mechanical "scene" depicts a circus in action. This is the private collection of French expatriate Jacques Van de Beuque, who collected Brazilian treasures—including religious pieces—from his arrival in the country in 1946 until his death in 2000.

Designed by the Spanish architect Santiago Calatrava, this spectacular sustainability-focused museum juts out into Guanabara Bay from Praca Maúa (restored in honor of the 2016 Olympics) like a spaceship about to take off. The permanent exhibits explore science through the mediums of art and technology, guiding visitors to imagine a new way of living through contemplating the cosmos, the Earth, and our relationship to it all. Don’t miss the on-site restaurant Casa do Saulo, with Amazonian cuisine.

The most popular team in Rio de Janeiro created a museum at its headquarters to tell its story and influence on the city's culture. Immerse yourself in this history and learn about Flamengo's participation in world football and other sports. You can buy a special ticket that also includes the tour at Maracanã stadium. 

More than 6,000 works by Brazil's best self-taught painters, along with some by their counterparts from around the world, grace the walls of a colonial mansion that was once the studio of painter Eliseu Visconti. The museum is a few steps uphill from the station for the train to Corcovado, and the works on display date from the 15th century to the present. Don't miss the colorful, colossal 7×4–meter (22×13–foot) canvas that depicts the city of Rio; it reportedly took five years to complete. There's a pleasant, kid-friendly organic café on the grounds.

A little off Rio's main tourist track, the National Museum is well worth the metro ride to view its exhibits of botanical, anthropological, and animal specimens. With a permanent collection of 20 million objects (give or take a few), the supply is nearly endless. Temporary exhibitions focus on subjects such as meteorites, tribal art, and animal evolution. The opulent museum building—a former imperial palace—itself merits a visit, and the vast grounds are home to Rio's city zoo.

Unfortunately, the museum was damaged by a fire in 2018, closing its exhibitions rooms inside. The open-air exhibition Museu Nacional Vive was installed nearby, with panels and photographs that highlight the history and reconstruction of the institution. The restoration process can be followed on this website. ( museunacionalvive.org.br/)

A legacy of the Rio 2016 Olympic Games, the Rita Lee Olympic Park includes several sports arenas, a skate park, a climbing wall, multisports courts, a seniors' gym, a playground, public restrooms, a bicycle parking area, and a wet square.

The landscape architect Roberto Burle Marx designed this waterfront park that flanks the Baía de Guanabara from the Glória neighborhood to Flamengo. Frequently referred to as "Aterro do Flamengo," the park contains playgrounds and public tennis and basketball courts, and paths used for jogging, walking, and biking wind through it. On weekends the freeway beside the park is closed to traffic and the entire area becomes one enormous public space.

For safety reasons, avoid wandering the park after dark and stick to busy sections even in daylight hours.

Some Cariocas consider the beach at Barra da Tijuca to be Rio's best, and the 18-km-long (11-mile-long) sweep of sand and jostling waves certainly are dramatic. Pollution isn't generally a problem, and in many spots neither are crowds. Barra's water is cooler and its breezes more refreshing than those at other beaches. The strong waves in some sections attract surfers, windsurfers, and jet skiers, so you should swim with caution. The beach is set slightly below a sidewalk, where cafés and restaurants beckon. Condos have also sprung up here, and the city's largest shopping centers and supermarkets have made inland Barra their home. Amenities: food and drink; toilets; showers. Best for: walking; surfing.

At the far end of Ipanema lies Praia do Leblon, a stretch of beach usually occupied by families and generally less lively as far as beach sports are concerned. The water tends to be rough, and a strong undertow makes swimming unwise, but this is a nice place for a paddle and a splash. Vendors pass by selling everything from ice-cold beer and coconut water to bikinis and sarongs, so come with a few reais to spend. As you stroll along the beautifully tiled sidewalk, take note of the sprawling Vidigal favela, which perches on the hillside overlooking the area. Continue up the road a bit to one of Leblon's mirantes, boardwalk-like areas that offer a great view of the entire beach from Leblon to Arpoador. Amenities: food and drink; lifeguards; toilets; showers. Best for: walking; sunset.

Leme Beach is a natural extension of Copacabana Beach to the northeast, toward Pão de Açúcar (Sugarloaf). A rock formation juts into the water here, forming a quiet cove that's less crowded than the rest of the beach. This is a top spot for families, and small wading pools can be rented along with the usual beach chairs and sun umbrellas at the many barracas (beach tents selling food and drink). Along a sidewalk, at the side of the mountain overlooking Leme, anglers stand elbow to elbow with their lines dangling into the sea. Many locals swim here, but be wary of the strong undertow, and never head into the water when the red flag is displayed on the beach. Amenities: food and drink; toilets; showers; lifeguards. Best for: walking; sunset.

Right at the foot of Sugarloaf, this sheltered, rough-sand beach (the name means "red beach," a reference to the distinctive coarse sand here) is one of the safest places in the city for sunbathing thanks to its location next to a military base. Frequented more by local families than by tourists, and with only a few vendors, Praia Vermelha is a tranquil spot to catch some rays. The water here is calm, but it's often too dirty for swimming. Amenities: food and drink. Best for: sunset.

Complete with lakes and marble statuary, this vast public park on a former royal estate's landscaped grounds is a popular spot for family picnics. You can rent boats to pedal on the water, and bicycles to pedal on land. The former imperial palace now houses the Museu Nacional. The city zoo sits adjacent to the park, which often hosts live music events.

This evocative library, known as the Royal Reading Room, contains the largest collection of Portuguese literature outside of Portugal and was first established in 1837 as a Portuguese cultural centre during the reign of Portuguese emperor Joao Pedro II. It’s a joy to stroll through its soaring Gothic stacks and soak up the Harry Potteresque atmosphere.