4 Best Sights in Naples, Italy

Background Illustration for Sights

Naples, a bustling city of a million people, can be a challenge for visitors because of its hilly terrain and its twisty, often congested streets. Although spread out, Naples invites walking; the bus system, funiculars, and subways are also options for dealing with weary legs.

The city stretches along the Bay of Naples from Piazza Garibaldi in the east to Mergellina in the west, with its back to the Vomero Hill. From Stazione Centrale, on Piazza Garibaldi, Corso Umberto I (known as the Rettifilo) heads southwest to the monumental city center—commonly known as Toledo—around the piazzas Bovio, Municipio, and Trieste e Trento; here is the major urban set piece composed of the Palazzo Reale, Teatro San Carlo, and Galleria Umberto Primo.

To the north are the historic districts of old Naples, most notably the Centro Storico, I Vergini, and La Sanità; to the south, the port. Farther west along the bay are the more fashionable neighborhoods of Santa Lucia and Chiaia, and finally the waterfront district of Mergellina and the hill of Posillipo. The residential area of Vomero sits on the steep hills rising above Chiaia and downtown.

At the center of it all is picturesque Spaccanapoli—the heart of the Centro Storico. This partly pedestrianized promenade rather confusingly changes its name as it runs its way through the heart of old Naples—it's labeled as Via Benedetto Croce and Via San Biagio dei Librai, among others. Tying much of this geographic layout together is the "spine" of the city, Via Toledo—Naples's major north–south axis, which begins at Piazza Trieste e Trento and heads up all the way to Capodimonte; it's basically one straight road with four different names (five if you count the official name of Via Roma, which is how the locals refer to it).

Via Toledo links Piazza Trieste e Trento with Piazza Dante. Going farther north you get into Via Pessina for about 100 yards, which takes you up to the megajunction with the Museo Archeologico Nazionale. North of that, you head up to the peak of Capodimonte by traveling along Via Santa Teresa degli Scalzi and then Corso Amedeo di Savoia.

To make things a bit more confusing, parts of Via Toledo are pedestrianized—that means no buses or scooters, thankfully—from just south of Piazza Carità (where Via Toledo/Roma intersects with Via Diaz) all the way to Piazza Trieste e Trento.

Museo Cappella Sansevero

Centro Storico Fodor's Choice

The dazzling funerary chapel of the Sangro di Sansevero princes combines noble swagger, overwhelming color, and a touch of the macabre—which expresses Naples perfectly. The chapel was begun in 1590 by Prince Giovan Francesco di Sangro to fulfill a vow to the Virgin if he were cured of a dire illness. The seventh Sangro di Sansevero prince, Raimondo, had the building modified in the mid-18th century and is generally credited for its current baroque styling, the noteworthy elements of which include the splendid marble-inlay floor and statuary, including Giuseppe Sanmartino's spine-chillingly lifelike Cristo Velato (Veiled Christ).

Galleria Umberto I

Toledo

The galleria was erected during the "cleanup" of Naples following the devastating cholera epidemic of 1884. With facades on Via Toledo—the most animated street in Naples at the time—the Liberty-style arcade with curvy glass and wrought-iron dome and vaulted wings, built between 1887 and 1890 according to a design by Emanuele Rocco, had a prestigious and important location.

Entrances on Via San Carlo, Via Toledo, Via Santa Brigida, and Via Verdi, Naples, 80133, Italy

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Museo Diego Aragona Pignatelli Cortes

Set behind what could be, save for the palm trees, a very English expanse of lawn, this salmon-pink building with its Athenian-style porch was built in 1826 for Ferdinand Acton, the son of English aristocrat Sir John Acton. In 1841, it was bought by the Rothschild banking family, who brought in Gaetano Genovese—he of the Palazzo Reale's sumptuous staircase—to design the Salotto Rosso and the ballroom.

The villa then passed to a distant ancestor of Spanish conquistador Hernán Cortés, and eventually went to the Italian State in 1955. Attractions here include a sumptuous collection of porcelain and a biblioteca-discoteca—an archive of classical and operatic records. The villa also contains paintings that are part of Banco di Napoli's collection, including works by masters of Neapolitan Baroque, as well as 18th- and 19th-century landscapes.

Riviera di Chiaia 200, Naples, 80121, Italy
081-7612356
Sight Details
€5, gardens only free
Closed Tues.

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Porta Capuana

Carlo III

Occupying a rather unkempt pedestrianized piazza, this elegant ceremonial gateway is one of Naples's finest Renaissance landmarks. Ferdinand II of Aragon commissioned the Florentine sculptor and architect Giuliano da Maiano to build this white triumphal arch—perhaps in competition with the Arco di Trionfo found on the facade of the city's Castel Nuovo—in the late 15th century. As at Castel Nuovo, this arch is framed by two peperino stone towers, here nicknamed Honor and Virtue, while the statue of Saint Gennaro keeps watch against Mt. Vesuvius in the distance. Across Via Carbonara stands the medieval bulk of the Castel Capuano, home to Angevin and Aragonese rulers until 1540, when it was transformed by the Spanish viceroy into law courts, a function it fulfilled until just a few years ago. On Sunday, this is a meeting place for Naples's extracomunitari (immigrants), who chat in their native tongues—from Ukrainian and Polish to Twi and Igbo.

Piazza San Francesco, Naples, 80139, Italy

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