24 Best Sights in Tuscany, Italy

Tours here take you down to the cellars and through the Renaissance gardens, and end with a wine tasting. You can also have a delicious crostino on a terrace with latticed grape leaves forming a beautiful bower above; the view from the terrace stretches for miles. Lunch and dinner are also available, and all the food pairs beautifully with their wines—which they've been making since 1170.

Providing refuge for the last remnants of the Sienese army during the Florentine conquest of 1555, the battlements of this 14th-century fortress are still in excellent condition. Climb the narrow, spiral steps for the 360-degree view of most of southern Tuscany. An on-site enoteca serves delicious snacks that pair beautifully with the local wines.

Legend holds that Galileo conducted an experiment on the nature of gravity by dropping metal balls from the top of the 187-foot-high Leaning Tower of Pisa. Historians, however, say this legend has no basis in fact—which isn't quite to say that it's false. Work on this tower, built as a campanile (bell tower) for the Duomo, started in 1173. The lopsided settling began when construction reached the third story.

The architects attempted to compensate through such methods as making the remaining floors slightly taller on the leaning side, but the extra weight only made the problem worse. The settling continued, and, by the late 20th century, it had accelerated to such a point that many feared the tower would simply topple over, despite all efforts to prop it up. The structure has since been firmly anchored to the earth. Work to restore the tower to its original tilt of 300 years ago was launched in early 2000 and finished two years later. This involved removing some 100 tons of earth from beneath the foundation.

Reservations, which are essential, can be made online or by calling the Museo dell'Opera del Duomo. It's also possible to arrive at the ticket office and book for the same day. Note, though, that children under eight aren't allowed to climb.

On nice days, the citizens of Lucca cycle, jog, stroll, or kick a soccer ball in this green, beautiful, and very large circular park. It's neither inside nor outside the city but rather right atop and around the ring of ramparts that defines Lucca. Sunlight streams through two rows of tall plane trees to dapple the passeggiata delle mura (walk on the walls), which is 4 km (2½ miles) long. Ten bulwarks are topped with lawns, many with picnic tables and some with play equipment for children. Be aware at all times of where the edge is—there are no railings, and the drop to the ground outside the city is a precipitous 40 feet.

Periodic excavations since 1950 have brought to light segments of Arezzo's Roman amphitheater, which was probably built during the early 2nd century AD. The entire perimeter has been exposed, and you can see some of the entrance passages and the structures that supported the amphitheater's central arena. The ticket price includes admission to the Museo Archeologico.

This pristine, beautiful beach in the Scarlino nature reserve takes its name from the tiny quartz grains of sand that sing like the strings of a violin when you walk along its shores. It's open to only 700 visitors a day during the season, and you can book your spot online. Arrive early to snag a spot in the parking area, which is a 1.6-km (1-mile) walk or bike ride from the beach. Amenities: food and drink; parking (fee); toilets. Best for: swimming; walking.

No one knows the precise location of Leonardo da Vinci's birthplace, but this typical 15th-century Tuscan house is in the general vicinity and probably shares much in common with the house where he was born. It's in Anchiano, 3 km (2 miles) from Vinci, and can be reached easily on foot or by car. It has a primitive interior—it hasn't been gussied up for tourists. Note the printed inventory of Leonardo's library. His tastes in literature were wide-ranging, from the ancient to contemporary (15th-century) authors.

Some of Italy's best-preserved monumental rock tombs, dating from the 2nd to the 3rd century BC, are found just outside the town at the Etruscan necropolis. Some of the tombs, such as the so-called Tomba Sirena (Siren's Tomb), preserve clear signs of their original and elaborately carved decorations. Others, like the Tomba Ildebranda (Hildebrand Tomb), are spectacular evidence of the architectural complexity sometimes achieved. Don't forget to walk along the section of an Etruscan road carved directly into the tufa stone.

A 20-minute drive out of town brings you to the Giardino Zoologico, a small zoo laid out to accommodate the wiles of both animals and children.

About 14 km (9 miles) southwest of Barga, after following a winding road flanked by both sheer cliffs and fantastic views, you come to Tuscany's Cave of the Wind. As the result of a steady internal temperature of 10.7°C (about 51°F), the wind is sucked into the cave in the winter and blown out in the summer. It has a long cavern with stalactites, stalagmites, "bottomless" pits, and subterranean streams. One-, two-, and three-hour guided tours of the cave are given. (The one-hour tour is offered only from November through March.)

Il Ponte della Maddalena is, oddly, also known as the Devil's Bridge. Commissioned in all likelihood by Matilde di Canossa (1046–1115), it was restructured by the petty despot Castruccio Castracani in the early 14th century. It's worth the climb to the middle—the bridge is narrow, steep, and pedestrians-only—to check out the view. Despite 1836 flood damage and early-20th-century alterations, it seems little changed from the Middle Ages. If you're heading north along the Serchio from Lucca to Bagni di Lucca, you will see the bridge on your left.

Monte Argentario is famous for its cliffside beaches, but Le Cannelle stands out for its combination of sand and rocky shores. It's also blissfully secluded at almost halfway between Porto Santo Stefano and Porto Ercole. Amenities: food and drink; restrooms. Best For: snorkeling; swimming.

The Archaeological Museum in the Convento di San Bernardo, just outside the Anfiteatro Romano, exhibits a fine collection of Etruscan bronzes. The ticket allows admission to the Anfiteatro Romano.

The 13th-century Palazzo Pretorio, on Piazza Garibaldi, is home to this fascinating museum with plenty of Etruscan artifacts. A number of displays reconstruct the nature of daily life for the Etruscans who once inhabited the hills in this area.

This museum contains Etruscan and Roman sculpture and pottery excavated from around the area. According to cognoscenti, the Etruscan collection is one of the best in Italy.

Museo Leonardiano, atop the castle belonging to the Guidi family in the historic center of Vinci, has replicas of many of Leonardo's machines and gadgets. The stunning country views most likely influenced the artist, as some of his painted backgrounds suggest the hills of Vinci.

The well-kept nature preserve at Monti dell'Uccellina is an oasis of green hills sloping down to small, secluded beaches on protected coastline. The park also has scattered Etruscan and Roman ruins and a medieval abbey, the Abbazia di San Rabano. Daily limits restrict the number of cars that can enter, so in summer it's best to either reserve ahead or to leave your car in Alberese and use the regular bus service. Contact the park's information office for bookings and to secure English-language guides. Enter from the south at Talamone (turn right 1 km [½ mile] before town) or from Alberese, both reachable from the SS1 (Via Aurelia). 

The Parco Regionale delle Alpi Apuane (Regional Park of the Apuan Alps) straddles the hills of coastal Versilia and spreads mostly across the mountainous Garfagnana inland. It includes caves, grottoes, peaks, and valleys. Hiking, riding, and mountain bike trails crisscross the park. There are various points of access for various types of excursions, and all are clearly indicated on the interactive park map. The park's visitor center is in the town of Castelnuovo Garfagnana.

Here's where the ancient Roman amphitheater once stood. Some of the medieval buildings built over the amphitheater retain its original oval shape and brick arches.

With its irregular shape and sloping brick pavement, framed by buildings of assorted centuries, Arezzo's central piazza echoes Siena's Piazza del Campo. Though not quite so magnificent, it's lively enough during the outdoor antiques fair the first weekend of the month and when the Giostra del Saracino (Saracen Joust), featuring medieval costumes and competition, is held here on the third Saturday of June and on the first Sunday of September.

Greve's gently sloping and asymmetrical central piazza is surrounded by an attractive arcade with shops of all kinds. In the center stands a statue of the discoverer of New York harbor, Giovanni da Verrazzano (circa 1480–1527). Check out the lively market held here on Saturday morning.

Built to both defend and control their new possession after the Sienese conquered Massa Marittima in 1335, the Fortezza dei Senesi crowns the upper part of town. Just inside the imposing Sienese gate is the so-called Tower of the Candle Holder, a massive bastion that is connected to the outer walls by the Arco Senese, a high-arched bridge. A visit to the tower gives access to the arch and to the upper city walls, where commanding views open before you.

The highest spot in Lucca is the top of this tower, which had its first mechanical clock in 1390. It's since contained several clocks over the centuries; the current timepiece was installed in 1754. The reward for climbing 207 steps to the top is a panoramic view of the town.

The tower of the medieval Palazzo Guinigi contains one of the city's most curious sights: a grove of holm oaks. It is said that they were planted by the Guinigi family at the top of the tower as a symbol of renewal, and their roots have pushed their way into the room below. From the top you have a magnificent view of the city and the surrounding countryside. (Only the tower is open to the public, not the palazzo.)