205 Best Sights in New York City, New York

The first Black-owned gallery in New York, Nicola Vassell swung open its doors in May 2021 to great fanfare in the art world. The gallery's focus is on discourse that widens the lens of history and about the future of art with exhibitions by a diverse group of international artists. The space shows a cross-discipline of works using the mediums of film, painting, sculpture, and video installations.

Artist and film director Julian Schnabel lives here. But that's not why it's worth making a point to stand across the street and marvel at this pink structure of wonder. Plopped atop a former horse stable, this 12-floor pink Venetian-style palace rises 170 feet above the low-level skyline of the West Village. The facade is highlighted by Renaissance-style porticos and the name engraved halfway up, Palazzo Chupi—a reference to a popular brand of Spanish lollipop and the pet name for Schnabel's wife. When it was completed in 2008, there were rumors that various celebrities—Bono, Madonna, the Olsen Twins—were going to buy one of the five apartments inside. (The only famous person who actually did buy a place was actor Richard Gere.) The building immediately became a divisive flashpoint for West Villagers: some passionately hated it while others loved it. Over time, the haters have thinned out and now most locals love Palazzo Chupi.

This narrow, gated cul-de-sac off West 10th Street between Greenwich and 6th Avenues has 10 diminutive 1848 row houses. Around the corner on 6th Avenue is a similar dead-end street, Milligan Place, with five small houses completed in 1852. The houses in both quiet enclaves were originally built for waiters who worked at 5th Avenue's high-society Brevoort Hotel, long since demolished. Later Patchin Place residents included writers Theodore Dreiser, E. E. Cummings, Jane Bowles, and Djuna Barnes. Milligan Place became popular among playwrights, including Eugene O'Neill.

SoHo pioneer Paula Cooper moved to Chelsea in 1996 and, after moving her masterpieces around the neighborhood, has finally settled into a stark-white, high-ceilinged space that's perfect for viewing art. There are now two galleries (the other is at  521 West 21st Street) that showcase the works of artists such as Carl Andre, Sam Durant, Hans Haacke, Donald Judd, and Dan Flavin.

The Bronx certainly has a reputation of being relentlessly urban, but there are parks in abundance, including the largest city park across the five boroughs (in terms of land area): Pelham Bay Park, a sprawling landscape of marshland and woods laced with nature trails for both human and horse feet. (There's horseback riding at the Bronx Equestrian Center on Shore Road.) The Bronx's only public beach, the 1.1-mile-long Orchard Beach offers views of Long Island Sound, along with a pavilion and snack bars. The incongruous Bartow-Pell Mansion ( www.bartowpellmansionmuseum.org), built in the Greek Revival style in the 1830s, has exhibits of period furniture and historic Bronx memorabilia, plus manicured gardens and a carriage house. The park also holds two golf courses, miniature golf, sports fields, playgrounds, and miles of paved biking paths.

Williamsburg’s premier reading series takes place year-round at a narrow bar in a converted train car; it's free to the public, has been patronized by Jonathan Ames and Dani Shapiro, and is held every other Thursday evening. There's also a poetry series, the second Friday of every month.

This gallery, first opened in the East Village in 1984 and open in TriBeCa since 2013, shows new and established conceptual artists of all ages. Postmasters exhibits both young and established artists working in all media, though it seeks out new forms of creative expression that are reflective of the current time.

Run by the Roosevelt Island Visual Arts Association, this gallery helps to promote works by its 30 artist members through group and solo exhibitions, and other programming. Along with this gallery, the RIVAA manages another exhibition space, the Octagon Gallery within the Octagon Building, once the entrance of a hospital that's now part of an apartment complex. The latter spot features art by both RIVAA members and international guest contributors—including painters, sculptors, photographers, computer artists, graphic designers, ceramists, and installation artists.

Built from 1833 through 1837, this series of Greek Revival and Federal row houses along Washington Square North, between University Place and MacDougal Street, once belonged to merchants and bankers, then to writers and artists such as John Dos Passos and Edward Hopper. Many are now owned by NYU and used for housing and offices. Although the facades remain beautifully preserved, the interiors have been drastically altered over the years.

After more than four decades of laughs, SNL continues to push buttons and nurture comedic talents. All "live from New York." Requests for advance tickets (two per applicant) must be submitted during the month of August by email only, sent to  [email protected]; you may ask for a ticket for either the dress rehearsal (8 pm) or the live show (11:30 pm). All recipients are determined by lottery. Standby ticket reservations for up to four people open at 10 am on the Thursday prior and are distributed at 12:01 am on the day of the show; see the NBC ticket website for information. You must be 16 or older to sit in the audience.

Founded by artists in 1928 to exhibit innovative contemporary work, SculptureCenter occupies a former trolley repair shop that was renovated by artist Maya Lin in 2002 and expanded by Andrew Berman Architect in 2014; it's not far from MoMA PS1. Indoor and outdoor exhibition spaces close between shows; see the website for details or call ahead before visiting.

Ludwig Mies van der Rohe, a pioneer of modernist architecture, built this boxlike bronze-and-glass tower in 1958, and it remains a must-visit for architecture buffs. The austere facade belies its wit: I-beams, used to hold buildings up, here are merely attached to the surface, representing the idea of structural support. The Seagram Building's innovative ground-level plaza, extending out to the sidewalk, has since become a common element in urban skyscraper design, but at the time it was built, it was a radical announcement of a new, modern era of American architecture. With its two giant fountains and welcoming steps, the plaza also is a popular lunch spot for Midtown workers. Visit late in the afternoon to avoid crowds.

Why get a crick in your neck—or worse, risk looking like a tourist—while appreciating New York City's famous skyscrapers? Instead, visit this small museum, where you can appreciate highly detailed, hand-carved miniature wood models of Midtown and Lower Manhattan; explore the past, present, and future of the skyscraper—from New York City's Empire State Building to Dubai's Burj Khalifa (taller than the Empire State Building and Chicago's Willis Tower combined)—and examine the history of the Twin Towers at the World Trade Center. Exhibits continue to evolve, so expect models of current or future buildings, videos, drawings, floor plans, and talks that reveal the influence of history, real estate, and individuals on shaping city skylines.

The transformation of an industrial boiler house into an edgy arts compound is quintessential DUMBO. This 12,000-square-foot structure now hosts large-scale avant-garde exhibitions and runs a prestigious residency program. Don't be surprised if you pass a smartphone-clutching event planner on your way in; it's also a popular wedding venue.

Located in Southpoint Park, right before the entrance to Four Freedoms Park, this fenced-off, ivy-covered ruin was an 1856 smallpox hospital that was in operation during the island's time as Blackwell's Island. While this city landmark is off-limits, informative placards on the site tell much about the building's history and design by James Renwick Jr., whose resume includes the Smithsonian Institute in Washington, D.C. The hospital ruins are listed on the National Register of Historic Places. If you're in a taxi on the FDR Drive across the river, you'll notice the ruins are floodlit at night, creating an eerie spectacle from afar. While in this area, also see the FDR Hope Memorial, a bronze sculpture depicting Roosevelt in his wheelchair, greeting a young girl wearing leg braces.  

In 1986, local artist Mark di Suvero and other residents rallied to transform what had been an abandoned landfill and illegal dump site into this 5-acre waterfront park devoted to public art. Today, a superb view of the East River and Manhattan frames changing exhibitions of contemporary sculptures and topical multimedia installations. A farmers' market, outdoor yoga, and free public programs, including workshops and performances, are offered seasonally April to October. Socrates is open 365 days a year, 9 am to sunset, but the best time to visit is during warmer months.

Head to this unique Manhattan museum, housed inside Schermerhorn Row's early-19th-century brick buildings, to understand the history of The Seaport—and its importance in making New York the ultimate commercial harbor of early America. The museum's visitor center ( 12 Fulton St.) leads you to fascinating exhibits within the carefully preserved, landmarked spaces, and ties into displays at the printing house around the corner ( 211 Water St.) and inside Cannon's Walk ( 206 Front St.). Many find that The Seaport Museum's main attractions, however, are the four restored tall ships docked in the harbor at Pier 16. Museum visits include access (weather permitting) on the 1907 lightship Ambrose and the 1885 ship Wavertree. There are also public sailings of the 1885 schooner Pioneer. The museum organizes walking tours of the area, too. (Creative nonfiction lovers take note: Joseph Mitchell's collection of early New York stories, Up in the Old Hotel, brings to life tales from the neighborhood and the hotel that once occupied some of today's South Street Seaport Museum spaces.) Consult the website for hours and tours that change seasonally.

Steeped in New York City history and shaded by graceful gingko trees, this somewhat-hard-to-find section of Leroy Street has 15 classic Italianate brownstone and brick town houses (1851–54). Novelist Theodore Dreiser wrote An American Tragedy at No. 16, and poet Marianne Moore resided at No. 14. (Robert De Niro later lived here for decades—in mid-2012 he sold it for $9.5 million.) The colorful (and corrupt) Mayor Jimmy Walker (first elected in 1926) lived at No. 6; the lampposts in front are "mayor's lamps," which were sometimes placed in front of the residences of New York mayors. This block is often used as a film location: No. 4 was the setting of the Audrey Hepburn thriller Wait Until Dark. Before 1890, the James J. Walker Park, on the south side of the street near Hudson, was a graveyard where, according to legend, the dauphin of France—the lost son of Louis XVI and Marie Antoinette—is buried.