10 Best Sights in Siracusa and the Southeast, Sicily

Locals consider this the most important church in Palazzolo Acreide, rebuilt and repaired after the 1693 earthquake. When you enter, usually a volunteer will be available to take you on a brief tour. The main focal points are the relics and the statue of St. Paul paraded annually through the town with alternate moments of piety and raucous pyrotechnics, between June 26 and June 29.

Ragusa Superiore's gargantuan 18th-cathedral was built in the then-nascent Quartiere Patro, after the destruction of a previous incarnation dedicated to San Giovanni in Ragusa Ibla was destroyed by the 1693 earthquake. Beyond the ornate late-Baroque facade, the three-nave, Latin cross interior is bathed by sunlight from the impressive cupola.  Amid 13 chapels and two altars, rich details abound: paintings and statuary spanning the centuries, rococo stuccowork, and a Neapolitan nativity scene. Pride of place goes to a vibrant wooden statue of San Giovanni carved in 1861 on a flamboyant gilded base, which is paraded through town each June 24. Those who are fit and have a head for heights should scale the narrow, 129-step staircase to the 160-foot-high campanile. After catching your breath, admire the church's four bells and enjoy fabulous views over Ragusa and beyond. Across the road, the Museo della Cattedrale displays pious relics and an interesting collection of maps.   

Noto's domed cathedral is an undisputed highlight of the extraordinary Baroque architecture for which the town is world-famous. Climb the monumental staircase to get a glimpse of the interior—restored over a 10-year period after the dome collapsed in 1996—which is simple and unloved by some (its newness and painting style may appear strange at first) compared to the magnificent exterior, but still worth a look. Indeed, it's become so popular that an entrance fee has been introduced, mainly to help the informative volunteers to cope with the foot flow.

This Baroque beauty and so-called Mother Church of Modica Alta is reached by climbing 250 steps that crisscross in a monumental staircase leading up to the main doors. Dating back to medieval times—and after a series of calamities, including the 1693 earthquake—its present form took shape during the 17th and 18th centuries, largely under Spanish rule. The imposing 200-foot-high facade and tower were remodeled by Rosario Gagliardi (1698–1762); the church was finally crowned by an iron cross in 1842. You'll want to linger amid the white-stuccoed, eggshell blue and gold-leafed interior, taking in the artistic flamboyance of its five naves and numerous chapels, which are surrounded and supported by 22 Corinthian columns. One chapel houses the equestrian statue of San Giorgio that is paraded through Modica every April. A towering polyptych attributed to Bernardino Nigro (1538–1590) consists of nine Biblical scenes capped by a lunette of God and two golden adoring angels. Don't miss the meridian sundial with the signs of the zodiac near the the main altar; it was designed by the mathematician Armando Perini in 1895. Mass is held year-round on Sunday at 11 am, daily at 7 pm from April through October, as well as 7:30 pm in July and August; from November through March, the daily evening mass is at 6 pm.  For the best views in town, climb the campanile. (For a cacophonous experience, you can also time your ascension to 30 minutes before mass when the mighty bells chime. Cover your ears, though.)

 Siracusa's Duomo is an archive of more than 2,000 years of island history, and has creatively incorporated ruins through the many time periods it has survived, starting with the bottommost, where excavations have unearthed remnants of Sicily's distant past, when the Siculi inhabitants worshipped their deities here. During the 5th century BC (the same time Agrigento's Temple of Concord was built), the Greeks erected a temple to Athena over it, and in the 7th century, Siracusa's first Christian cathedral was built on top of the Greek structure. The massive columns of the original Greek temple were incorporated into the present structure and are clearly visible, embedded in the exterior wall along Via Minerva. The Greek columns were also used to dramatic advantage inside, where on one side they form chapels connected by elegant wrought-iron gates. The Baroque facade, added in the 18th century, displays a harmonious rhythm of concaves and convexes. In front, the sun-kissed stone piazza is encircled by pink and white oleanders and elegant buildings ornamented with filigree grillwork, and is typically filled with frolicking children and street musicians. Check with the tourist office for guided tours of its underground tunnels, which are located to the right when you stand facing the cathedral.

The ornate facade of this 18th-century Baroque church—a UNESCO World Heritage site—dominates Piazza del Popolo. The interior is worth a visit for its towering marble main altar, carved wooden sacristy, and numerous statuary and artworks, including some dedicated to the cult of Madonna Odigitria, traditionally venerated by the residents of the upper part of town with a music-and-flower-filled annual May procession. 

The fabulously voluptuous facade makes a stunning contrast with the limestone cliffs soaring above the edge of the town's historic center. A dizzying fusion of the Baroque and rococo lies behind the lace grate doors of this single-nave church; your eyes eventually lead to the central altarpiece painting, Martyrdom of Saint Bartholomew (1779) by Francesco Pasucci. Most enchanting is the Neapolitan wooden nativity scene conceived in the 16th century and remodeled by Pietro Padula (1773–76).

Founded in the 17th century by the Jesuits, Scicli's "mother church" was rebuilt following the 1693 earthquake. Housing the remains of the town's patron saint, Guglielmo the Hermit, a side chapel also hosts the life-size papier-mâché statue of the Madonna su cavallo (on a horse), also known as the Madonna delle Milizie. She is paraded through the streets on the last Saturday in May to celebrate her feast day.

Designed by Rosario Gagliardi in 1738 (and completed in 1791), Ragusa's main cathedral, a fine example of the Sicilian Baroque, was further modified in the 19th century with the addition of a Neoclassical cupola. The flamboyant convex facade with bell tower rises 203 feet, looking like a wedding cake from the sloping piazza below to provide sightlines for the 141-foot dome. Although visitors enter via side entrances, the ornate portal frames wooden doors that are decorated with six episodes in the martyrdom of San Giorgio, all carved by Fiorello (1793). The three-nave interior is more subdued in comparison and contains numerous paintings and statuary by mostly 18th-century Sicilian artists, as well as an impressive 3,383-pipe Organum Maximum made in Bergamo in 1881; that alone is well worth hearing and a reason to visit. But you may wish to linger to take in the artworks and sunlight-bathed atmosphere from 20 vibrant, stained-glass windows, each detailing more saintly scenes and allegories.

Statues of the apostles line the staircase of Modica's honey-colored stone cathedral, which was originally constructed in the 14th century, then rebuilt in an impressive Baroque style following its destruction in the 1693 earthquake. Look down to marvel at the ornate intarsia stone tiling and above at the vaulted ceiling frescoes (1760-80) depicting Biblical scenes by local artist Gian Battista Ragazzi and his son Stefano. Flanked by an impressive wooden choir the main altar has a vibrant marble statue Madonna del Soccorso (also called Madonna della Mazza), which dates from 1507. This curious image of Mary, who is wielding a club to smash a Satanic figure while cradling the baby Jesus, has its origins in the legend of 14th-century Nicola La Bruna from Palermo, whose vision of Mary is said to have cured a grave illnes. On a political note, there was a long and bitter dispute with lofty rival San Giorgio (Modica's other cathedral) regarding which church was rightfully Modica's "Chiesa Madre" (Mother Church); thankfully, they now share that status more amicably. If you're a glutton for churches, consult www.laviadellecollegiate.it for information and itineraries that cover Modica's plethora of places of worship.