8 Best Sights in Siracusa and the Southeast, Sicily

You'll need to hire a guide to explore the over 5,000 tombs covering the limestone cliffs that make up this Iron and Bronze Age burial site. On a huge plateau over the Anapo River, the necropolis dates to between the 13th and 8th centuries BC. If you decide not to hire a guide, you'll need to drive to get here. There are two main entrances: one near the town of Sortino and the other from the town of Ferla. The entrance by Sortino involves a good walk down the sides of the gorge while the Ferla entrance is more of a gentle stroll along a well-beaten path. Set aside a minimum of two hours for your visit, but it is better to allocate at least half a day; be sure to wear a good pair of walking shoes and bring plenty of water.

Noto's domed cathedral is an undisputed highlight of the extraordinary Baroque architecture for which the town is world-famous. Climb the monumental staircase to get a glimpse of the interior—restored over a 10-year period after the dome collapsed in 1996—which is simple and unloved by some (its newness and painting style may appear strange at first) compared to the magnificent exterior, but still worth a look. Indeed, it's become so popular that an entrance fee has been introduced, mainly to help the informative volunteers to cope with the foot flow.

The ornate facade of this 18th-century Baroque church—a UNESCO World Heritage site—dominates Piazza del Popolo. The interior is worth a visit for its towering marble main altar, carved wooden sacristy, and numerous statuary and artworks, including some dedicated to the cult of Madonna Odigitria, traditionally venerated by the residents of the upper part of town with a music-and-flower-filled annual May procession. 

The fabulously voluptuous facade makes a stunning contrast with the limestone cliffs soaring above the edge of the town's historic center. A dizzying fusion of the Baroque and rococo lies behind the lace grate doors of this single-nave church; your eyes eventually lead to the central altarpiece painting, Martyrdom of Saint Bartholomew (1779) by Francesco Pasucci. Most enchanting is the Neapolitan wooden nativity scene conceived in the 16th century and remodeled by Pietro Padula (1773–76).

Designed by Rosario Gagliardi in 1738 (and completed in 1791), Ragusa's main cathedral, a fine example of the Sicilian Baroque, was further modified in the 19th century with the addition of a Neoclassical cupola. The flamboyant convex facade with bell tower rises 203 feet, looking like a wedding cake from the sloping piazza below to provide sightlines for the 141-foot dome. Although visitors enter via side entrances, the ornate portal frames wooden doors that are decorated with six episodes in the martyrdom of San Giorgio, all carved by Fiorello (1793). The three-nave interior is more subdued in comparison and contains numerous paintings and statuary by mostly 18th-century Sicilian artists, as well as an impressive 3,383-pipe Organum Maximum made in Bergamo in 1881; that alone is well worth hearing and a reason to visit. But you may wish to linger to take in the artworks and sunlight-bathed atmosphere from 20 vibrant, stained-glass windows, each detailing more saintly scenes and allegories.

The center of this piazza has a Baroque fountain, the Fontana di Diana, festooned with fainting sea nymphs and dancing jets of water. Look for the Chiaramonte-style Palazzo Montalto, an arched-window gem just off the piazza on Via Montalto.

While the whole of Noto can make you feel that you are on a film set, its central plaza trumps the lot for stage-set impact. Piazza Municipo is home to three of the grandest buildings in Noto, including Palazzo Ducezio, now home to the local town hall, that forms the plaza's main part. If you climb to the top of the ornate staircase to the north you will find Cattedrale di San Nicolò while on the western side of the palazzo is Palazzo Landolina, which was once home to one of the most powerful families in Noto, the Sant'Alfano family.

Scattered through the piazza just across the bridge to Ortigia are the ruins of a temple dedicated to Apollo, which dates back to the 6th century BC. A model of this is in the Museo Archeologico. In fact, little of this noble Doric temple remains except for some crumbled walls and shattered columns; the window in the south wall belongs to a Norman church that was built much later on the same spot.